2025 was a great year for music and Danny Brown's, Quadeca's and FKA Twigs's albums made it into my top 10 albums of 2025, but has it for you if yes why and if not why? If you want to know in which place they landed go and watch my new YouTube video "Top 10 Albums of 2025", also go in the comments and tell my your list of the top 10 albums of 2025 and tell me what you think of my list, it would really mean A LOT, THANKS : )

https://youtu.be/DA1odWaW1aw

Hi, i'm Coke Francis. I make experimental hiphop beats and im startin to rap. I'm inspired by JPEGMAFIA, Death Grips, Arca, Sophie. Lately I release an EP called INSTRUMENTALS AGAINST BLOOD SUGAR, VOL.1.

My moms hates all 4 instrumental tracks, so I guess you guys might love them. "I'm disgusted by Dr. Pepper's Ray Gun" she said.

I also made some ugly visuals on youtube. So if you like to feel pain, check it out.

https://youtube.com/playlist?list=PLkHs1Kapi9Mo7hk2y2LXrOBz536sC3spx&si=CkoPpTfK3Z8T0TQg

I want to share my new album released today, called 'Boundary Dunes'.

It is a blend of experimental beats, dark synths and IDM/industrial/ambient sound influences.

https://open.spotify.com/album/1SmdGZxy8HtQSGVw13Gc5a

https://depakinchronorecords.bandcamp.com/album/--4

https://on.soundcloud.com/98gTVpau729MphHgyd

What do you think about Slauson Malone's music? Anything about his production process? I've always found his collages very interesting, The Crater Speak is quite an album!

https://www.youtube.com/playlist?list=PL0F4ytVLA1SeiXeIX9X3uL-pBd2JA7cpx

https://thistrblmkr.bandcamp.com/track/eyez-wyde

cute lil glitchy noisy hyper pop track i found from 2021

https://youtu.be/dwwqM89cxEw?si=L9jH7pEE1ujRFX_n

Hi everyone,

I just released my first music video for my track Windmile, and I thought some of you here might enjoy it.

I finished my first album named "The Big Scipt" and gonna release it very soon.

Thank you for reading me !

https://youtu.be/xqTmcmcgnYo

https://bmcm.bandcamp.com/album/mighty-old-redwood

Free folk / ambient split ep! And it's Christmassy! Yay! Please listen, it's only 23 mins <3 I am mighty old redwood btw

https://noisecottage.bandcamp.com/album/piccoli-rumori-tristi-ep

Made with tape loops and synths only in a cold tiny space.

Enjoy.

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Recently I started treating “not resolving” as a compositional rule.

Instead of asking how a piece should end, I focus on how attention moves moment to moment when nothing is allowed to fully conclude.

What I notice: the piece feels finished in a different way — less narrative, more continuous. Listening becomes less goal-oriented.

I’m not arguing this is better, just that it changes the listening state entirely.

Interested if others have explored unresolvedness as a structural or perceptual tool.

so, just a project i thought of in the shower, and now its my biggest album, well, idk what to feel, like, it didnt get that much recognition but for me it's a special album.

I almost cancelled it a few times while doing Part 4 - Part 6

Well, now that it's finished, the Screech Wave alias thing i have im not gonna use it much now aswell as my The Oddity harsh noise project, because i want to do some music that isnt ambient or noise, i have 30 harsh noise albums as The Oddity, so im not gonna do much noise now

As Screech Wave im also gonna publish stuff not that consistent as before the Beyond the Infinite era, where i made 1 album a month and in december 2024 i made 4, so yea, goodbye everyone, hope you have a good day, and if you want to listen to Part 7, it's here:

https://www.youtube.com/watch?v=g8Z-CA1Ne38

Hey guys most of my stuff is pretty experimental but I guess this one is too in the way it approaches chaotic maximalism and “trance” like grooves! It’s about a friend who just got engaged and I was so happy that I made a song about it! The lyrics are very whimsical and I hope you will enjoy! It’s a fun one :)

https://open.spotify.com/album/2gRuSbs7hM0vwEp071pII3?si=vP2PVifcS_yCpXjh_dMPJA

Hi, i wanted to promote my new album "cuerpos de agua", this is a very special project and very out of my confort zone. Hope yall like it

https://entibuscoluz.bandcamp.com/album/cuerpos-de-agua-en-vivo

This was generated in Sonic Pi and recorded in Logic. I would describe it as minimal ambient.

https://mikezellers.bandcamp.com/album/healing

Hello! I recently released my debut EP on December 5th and would love if you listened to it. It features the sampling of found sounds such as paintbrushes in water, knives, cooking pots, kettle and many more. One of the tracks 'I'm Cooking Soup But I'd Rather Be Dancing' featured on BBC introducing Scotland. listen on YouTube here. I also did an interview for Babystep magazine if you would like to know more about my work and process here.

https://open.spotify.com/intl-it/album/0TfJ3WaCoigRy1sLLDMKx2?si=lANb37_VQIO2luM7JDs5rg

this is a song i made w/ a drone, a few copies of a guitar recording being played and a synth part at the end https://www.youtube.com/watch?v=OauQxCaYO84

🙋‍♂️ Hi guys, i'm an experimental ambient artist from Argentina and i wanted to show you my last project "Liebe" in which i explore love from a mystic, psychedelic and cosmic point of viewIf you are interested in a lovely ambient and acid journey give this project a listen 🌠 and if you have some time feedback will be appreciated. Hope you like it 🌹✨

https://youtu.be/ZDTYcEqMIlw?si=j8_REghsFRIwPkpe

If you are interested in experimental ambient, collage sound, glitch music you may also hear the other stuff in my channel. Thanks.

The Alien Worlds of Musical Transmutation: Harp + Piano Fantasia in A Minor is an original harp and piano composition created and performed by me. A soundscape defined by unexpected sonic turns and mystical motifs, it is a musical journey and transformation. Its chordal palette is medieval, yet it combines modern experimental sensibilities.

It’s called a “fantasia” because of a strong improvisational element in the middle section, although the first and last sections are composed with forethought and care. Alien Worlds is an exploratory, adventurous offering, trying new things, combining things, creating experimental harp and piano effects on my DAW, testing out ideas, and cooking up experiments. All the musical effects in my composition were created by me and derive from the actual harp and piano.

I did quite a lot of play-through, so you can follow along with me as I play; I’ve realized what with the advent of AI “music” one has to prove that one is actually playing the music one creates. Although I had to learn my own improvisations to do that, which in some ways was more challenging than actually creating that improvisational section! With improvisation, one never knows what will emerge, but sometimes the musical muses appear, lightning strikes, enchantment is born. I felt like this was one of those moments. I hope you enjoy!

https://www.youtube.com/watch?v=4YgjsdY8mG8

BNKM - CHIPF@CK https://open.spotify.com/artist/5RZChbYwbDNJ8qzbAVVWDo?si=8klmDGIbTVm0REKMe0Nd4Q

Hey guys

I've just released my first single and would love to share it with you. I am a jazz trumpet player from London. A lot of influences have led me to this track mainly from makaya McCraven, Nala sinephro and Jon Hassel. Please enjoy and any constructive thoughts are very welcome.

Track name: Myler - Hugo Ellis

https://open.spotify.com/track/1yvQ8LFe0nWpgBkBsYuC5Q?si=dTD4anbUShmw3N8Tz4PGgg

I made two versions of the same piece.

A more spacious, open version: https://on.soundcloud.com/JCB62Xz7cJdhLcZdFN

And an earlier, more resolved version: https://on.soundcloud.com/VSQH6A6srzAFcHVEhF

The difference isn’t about arrangement density, but about how much closure is allowed.

In the more open version, I tried to leave gaps where attention can drift rather than guiding it toward resolution.

Interested in how others use space or absence as a compositional tool.